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Tuesday, July 22, 2008

The Dark Knight and Themes in Mythology

I just got back from seeing The Dark Knight...er...technically last night I guess. Rather then talk about how amazing of a movie it is (and it's crazy good by all movie standards, not just as a comic book movie), I just want to leave you with a thought I had that this movie (or rather it's iconic villain), and comic book movies in general, emphasise.

Why is it that we (as in all of humanity, it dates back centuries) have such a fascination, to the point of idolatry, with the villains in our stories? Is it just because in the story structure, the hero is always the same, and the villains are the only thing that changes? If so, why is that so often the case? Throughout mythology (and comic books are, for worse or for better, our mythology) we have epic, reoccurring tales about heros and their slaying exploits. We never have it the other way around, a villain so powerful that the forces of good struggle with it again and again through many faces but to no avail. Or is that theme sublimated into the nuances of the hero's character? The Dark Knight exemplifies this as well.

Note that in more modern mythology we move away from the hero perminantly defeating thier foes, bringing about the idea of an eternal enemy. Could this be the beginning of a seiesmic shift in human mythology? Though less modern examples exist, for example the devil archetype and the mythology of Ra and Apep found in Egyptian mythology, so that argument may be weak. Further examples of an eternal fight with an enemy exist, especially in Eastern and South American mythology, but like the Ra and Apep story, they are often tied to repeating astrological patterns and were thus structured not out of theme, but out of natural phenomenom.

Saturday, July 19, 2008

Radiohead: House of Data Points

So Radiohead, seemingly in an innovation penny war with Nine Inch Nails, has unveiled it's newest oddity. A music video without the video.

Radiohead's new music video for the In/Rainbows song "House of Cards" was shot not with cameras, but with a 3D modeling laser array. Instead of footage on a videotape, the "footage" was a giant spreadsheet of XYZ coordinates. Blogger: The Gentleman Loser - Create PostAfter being fed into computers that must have been running software on the bleeding edge, the points of data were plotted in three dimensional space and manipulated in such a manner to create the video you see on the right. In addition to providing the video, you can go to the Google Labs page for this little experiment and manipulate the 3D data in a (rather slow, though understandably) viewer.

More interesting is the fact that you can download the 3D "Point Cloud" data off of the site in a CSV (an open standard spreadsheet format) file, thus allowing anyone with a beefy computer and some 3D knowhow (I wonder if trusty old trueSpace can use it) to make a video. In fact some people already have. I like this trend that is occuring. Not only are we getting bands leaving their labels (even if Radiohead totally went running back to one) to make a stake on their own, but the bands simutaniously discover the merits of fan service. More specifically, getting fans invloved in the art. Nine Inch Nails uploads multitrack files for fans to remix with, Radiohead lets the fans price their CDs. Nine Inch Nails opens a "film festival" for their double album Ghosts, Radiohead essentially gives fan the video equivilant to multitrack files. So whether you are With_Teeth or In/Rainbows we all win.

About me

  • I'm Josh
  • From Madison, Wisconsin, United States
  • To fill my free time, I have various attempts at creative ventures. I write electronic music. I write crappy to only-mildly-crappy science fiction. I am also an amateur filmmaker. I work with local theatre (Mercury Players Theatre) now and again. I also play video games.
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